In his debut novel,
The Kite Runner, Khaled Hosseini accomplishes what very few contemporary novelists are able to do. He manages to provide an educational and eye-opening account of a country's political turmoil--in this case, Afghanistan--while also developing characters whose heartbreaking struggles and emotional triumphs resonate with readers long after the last page has been turned over. And he does this on his first try.
The Kite Runner follows the story of Amir, the privileged son of a wealthy businessman in Kabul, and Hassan, the son of Amir's father's servant. As children in the relatively stable Afghanistan of the early 1970s, the boys are inseparable. They spend idyllic days running kites and telling stories of mystical places and powerful warriors until an unspeakable event changes the nature of their relationship forever, and eventually cements their bond in ways neither boy could have ever predicted. Even after Amir and his father flee to America, Amir remains haunted by his cowardly actions and disloyalty. In part, it is these demons and the sometimes impossible quest for forgiveness that bring him back to his war-torn native land after it comes under Taliban rule. ("...I wondered if that was how forgiveness budded, not with the fanfare of epiphany, but with pain gathering its things, packing up, and slipping away unannounced in the middle of the night.")
Some of the plot's turns and twists may be somewhat implausible, but Hosseini has created characters that seem so real that one almost forgets that
The Kite Runner is a novel and not a memoir. At a time when Afghanistan has been thrust into the forefront of America's collective consciousness ("people sipping lattes at Starbucks were talking about the battle for Kunduz"), Hosseini offers an honest, sometimes tragic, sometimes funny, but always heartfelt view of a fascinating land. Perhaps the only true flaw in this extraordinary novel is that it ends all too soon.
--Gisele Toueg --Hosseini's stunning debut novel starts as an eloquent Afghan version of the American immigrant experience in the late 20th century, but betrayal and redemption come to the forefront when the narrator, a writer, returns to his ravaged homeland to rescue the son of his childhood friend after the boy's parents are shot during the Taliban takeover in the mid '90s. Amir, the son of a well-to-do Kabul merchant, is the first-person narrator, who marries, moves to California and becomes a successful novelist. But he remains haunted by a childhood incident in which he betrayed the trust of his best friend, a Hazara boy named Hassan, who receives a brutal beating from some local bullies. After establishing himself in America, Amir learns that the Taliban have murdered Hassan and his wife, raising questions about the fate of his son, Sohrab. Spurred on by childhood guilt, Amir makes the difficult journey to Kabul, only to learn the boy has been enslaved by a former childhood bully who has become a prominent Taliban official. The price Amir must pay to recover the boy is just one of several brilliant, startling plot twists that make this book memorable both as a political chronicle and a deeply personal tale about how childhood choices affect our adult lives. The character studies alone would make this a noteworthy debut, from the portrait of the sensitive, insecure Amir to the multilayered development of his father, Baba, whose sacrifices and scandalous behavior are fully revealed only when Amir returns to Afghanistan and learns the true nature of his relationship to Hassan. Add an incisive, perceptive examination of recent Afghan history and its ramifications in both America and the Middle East, and the result is a complete work of literature that succeeds in exploring the culture of a previously obscure nation that has become a pivot point in the global politics of the new millennium.
Copyright 2003 Reed Business Information, Inc.
The earth turns and the wind blows and sometimes some marvelous scrap of paper is blown against the fence for us to find. And once found, we become aware there are places out there that are both foreign and familiar. Funny what the wind brings.
And now it brings "The Kite Runner," a beautiful novel by Afghan-American Khaled Hosseini that ranks among the best-written and provocative stories of the year so far.
Hosseini's first novel -- and the first Afghan novel to be written originally in English -- "The Kite Runner" tells a heartbreaking story of the unlikely friendship between Amir, the son of a wealthy Afghan businessman, and Hassan, the son of his father's servant. Amir is Sunni; Hassan is Shi'a. One is born to a privileged class; the other to a loathed minority. One to a father of enormous presence; the other to a crippled man. One is a voracious reader; the other illiterate.
The poor Hassan is born with a hare lip, but Amir's gaps are better hidden, deep inside.
Yet Amir and Hassan live and play together, not simply as friends, but as brothers without mothers. Their intimate story traces across the expansive canvas of history, 40 years in Afghanistan's tragic evolution, like a kite under a gathering storm. The reader is blown from the last days of Kabul's monarchy -- salad days in which the boys lives' are occupied with school, welcome snows, American cowboy movies and neighborhood bullies -- into the atrocities of the Taliban, which turned the boys' green playing fields red with blood.
This unusually eloquent story is also about the fragile relationship fathers and sons, humans and their gods, men and their countries. Loyalty and blood are the ties that bind their stories into one of the most lyrical, moving and unexpected books of this year.
Hosseini's title refers to a traditional tournament for Afghan children in which kite-flyers compete by slicing through the strings of their opponents with their own razor-sharp, glass-encrusted strings. To be the child who wins the tournament by downing all the other kites -- and to be the "runner" who chases down the last losing kite as it flutters to earth -- is the greatest honor of all.
And in that metaphor of flyer and runner, Hosseini's story soars.
And fear not, gentle reader. This isn't a "foreign" book. Unlike Boris Pasternak's "Dr. Zhivago," Hosseini's narrative resonates with familiar rhythms and accessible ideas, all in prose that equals or exceeds the typical American story form. While exotic Afghan customs and Farsi words pop up occasionally, they are so well-defined for the reader that the book is enlightening and fascinating, not at all tedious.
Nor is it a dialectic on Islam. Amir's beloved father, Baba, is the son of a wise judge who enjoys his whiskey, television, and the perks of capitalism. A moderate in heart and mind, Hosseini has little good to say about Islamic extremism.
"The Kite Runner" is a song in a new key. Hosseini is an exhilaratingly original writer with a gift for irony and a gentle, perceptive heart. His canvas might be a place and time Americans are only beginning to understand, but he paints his art on the page, where it is intimate and poignant.
Download
